Was this better than The Cruel Prince? Yes. Was it epic? Almost but not really.
Okay, so I enjoyed this one much more than I did the first one. Truth be told, I was getting bored at the beginning, I find that the books in this series take a little to kick off, but once I passed the 35-40% mark I couldn't stop reading. I mean, I finished this last night at 3am.
I liked that there was more court politics in this book and I really like the story in general, but there are just things missing for me to be able to give this 5 stars. I know that when I get into these it seems like I'm ranting and I didn't like it, but I did like it, it's just that it's easier for me to call out the things that went wrong (and I rant because this could've been epic instead of great and it fell short, which kinda bothers me).
So, here I bring you The List (spoilers ahead):
The Cardan-Nicasia-Locke relationship. After how much they've betrayed and played each other, how can they possibly still want to be around one another? I can't wrap my head around it. Like, why make Locke Master of Revels when he took Nicasia from you, then played her and played Jude too?
The hate fucking scene. What the hell was that? As much as I ship them together, there was no build up. Epic love stories, or just any love story really, aren't supposed to come from giant red flags. That screamed toxic relationship to me from miles away.
The Heather and Vivi situation. That was clearly going to go wrong, one way or another. I just feel like Heather is a filler, a tool to get Vivi out of Faerie and then there's no more use for her.
When Jude is taken to the Undersea I felt absolute indifference about the betrayal. I should've been screaming because it's someone I actually liked in the first book, but instead I was just like oh, okay. Why? Because he practically doesn't show up in this whole book! If he had been more present, it would've made more of an impact. Not to mention that we don't know why (other that he disn't like to be bossed around by her) or what he got in return.
Speaking of the Undersea. What was that like? I can't tell you because I wasn't told. It's this place under the sea with mermaids and who knows what else and we got to see nothing of it.
Which leads me to: the world-building. I had this problem in the first book too. I don't feel like the world is real enough, I don't know what it looks like. All I know is that it must be tiny, because Jude seems to be able to get everywhere by foot.
And not just the world, but the different courts too, I feel like they are underused and could have much more presence. The Court of Termites, for example, they are only used to get Jude moving, but nothing else. The Undersea is just a catalyst. Not to mention Cardan's mother, whose presence serves no purpose at all.
And finally, the characters. Like I said in my review for The Cruel Prince, not many characters are straight on likeable, which isn't a bad thing, I love me some flawed characters. But they need to have redeeming qualities for me to be able to root for them. Right now the only characters I can say I fully like are the Bomb, the Roach and Cardan. You know that thing that happens right at the end? I'm taking Cardan's side on that, she had it coming. The problem is that most characters are just pawns of the story, they're there to fulfill whatever is needed from them and then disappear into the background. And what about Jude? I liked her better in this book, because she starts to worry about Oak and Cardan and puts others before herself, but I still cannot connect with that thirst for power of hers, I get where it comes from but still... no.
Overall, and despite my pinpointing everything that could be improved, I really enjoyed this and flew through it. I just wish I was more absorbed by the world and the characters.
Let’s start with a love story. Or maybe it’s another horror story. It seems like the difference is mostly in where the ending comes.
I needed this novella so badly. In my review of The Cruel Prince I complained about not understanding the motives behind certain character's actions. That doesn't mean supporting or agreeing with them, but understanding why they do what they do, on a deeper level than "just because" or "because he/she is evil". This novella gives you that.
This is an apology of sorts from Taryn to Jude, where she explains what happened with Locke. I really liked that this was from Taryn's perspective, since that allowed for me to not only understand her and Locke's motivations, but I also understood Jude better by looking at her from her twin's point of view. I even got a better glimpse at Cardan, though there are still gaps to fill in his relationship with Nicasia and Locke. I mean, how can they all still be friends? But I do somehow get their hatred toward the twins.
Like I said, I may not support what Taryn did, but I get her now, I get where she's coming from and what she hopes to achieve from it.
"It's terrible to be a girl trapped in a story. But you can be more than that. You can be the teller. You can shape the story."
I don’t know what to make of this. Every possible rating has crossed my mind at some point while reading this book.
The story starts when 7 year-old Jude opens the door of her house to a strange man, who kills both her parents and then claims to be her older sister’s father. Turns out he is no man at all, but Madoc, general to the High King of the Fae, and Jude’s older sister Vivi is indeed his heir. So after killing their parents, Madoc takes Vivi, Jude and Taryn (Jude’s twin sister) to Faerie. Fast forward 10 years and that’s where chapter one takes off.
That beginning got my full attention. Human girls growing up in the land of the Fae and being raised by their parents’ killer is a story that has a lot of potential. I especially liked the fact that our protagonist isn’t “the chosen one”, it’s her sister Vivi who’s the daughter of the King’s general, Jude being taken to Faerie is just a side effect of that.
Okay, so things look promising. Then what happens during the first half of the book? A big fat nothing.We’re shown how the twins are bullied at school and how Vivi despises her father and wants to go back to the mortal world. Then Jude decides to stop bowing her head and starts fighting back instead, which somehow leads to her becoming a spy for the Crown Prince. The issue? None of this is really justified, it just sort of happens and you’re supposed to roll with it.
Then somewhere around 50% or 60% in, the coronation takes place, since the High King has decided to step down, and that’s when everything goes downhill and fun things start happening. Although I do feel that all the different courts that came together for the coronation could have been used better, or just used really, because it seems like they were just there to take up space.
So yeah, story-wise for the first half of the book there was no objective, nothing to look forward to or a reason that really kept me reading. I must say, though, that I wasn’t bored either and didn’t feel like the whole thing dragged, it was a pretty quick read. But the second half of the book was much better, since things were actually happening and there was something at stake.
Now let’s get into the characters. No one is fully likeable except maybe Vivi, which isn't a bad thing in itself, perfect characters are boring.
The bullies: Valerian and Nicasia have zero depth to them. They are one-dimensional characters. I feel like I don’t know anything about them or why they act the way they do. The same would apply to Locke, though I did kinda like him in the beginning, but I don’t get him. No matter if a character is good or bad, likeable or not, you need to understand who they are and why they do things, otherwise you’re never going to feel anything other than indifference towards them. And then there’s Cardan, who pretty much changed personalities for the second half of the book. Although his motives were more or less explained, he still fell flat for me during the first half of the book. Then he became much more interesting, but he was an entirely different person. I like him better now, so I’m just going to roll with his new personality and act like the Cardan from the first half of the book didn’t happen.
Taryn: I don’t get her. Maybe it’s me, because I don’t seem to get anyone, or just that no one’s motives were explained. I understood her character until you know what was revealed. Knowing how things work in Faerie, how could she choose him over her? She can’t really be in love with him after everything. Or maybe she’s just dumb.
Jude: I understood and could get behind her for the most part. I get that, like Taryn, all she wants is to belong in Faerie and not feel vulnerable, I’ll even believe that one day she flipped the switch and became a rebel, but that sudden thirst for power? And how she, a mortal girl, can outwit every immortal Fae? That’s too much suspension of disbelief. But the real question is, how and when did the responsibility and weight of the world fall on Jude’s shoulders? How did she get involved in that and why does she even care? It's not something for her to worry about because she has nothing at stake. And when that something appears, it's someone I couldn't care less about.
So you can see how my thoughts are conflicted. The story itself was good, it was an entertaining read and it didn’t drag by any means but I was expecting so much more. I just wasn't investend in the whole thing. The stakes aren’t high enough, or don’t even exist, for most of the book and the characters lacked development, especially their changes in personality need to feel less like, well, changes in personality. It’s called a character arc and not a character jump for a reason.
I just feel the same way I did when reading Throne of Glass, and not because my brain seemed to be comparing everything to a SJM book (let’s not go there because there are some similarities I don’t even want to talk about), but because Throne of Glass really disappointed me (I think more than this one did) and then I ended up loving the rest of the series. So I’m just going to hope the same magic happens here.
Bueno, pues este último libro de 2020 ha sido una pequeña decepción.
Este libro está compuesto por 3 relatos cortos: uno de Laura Gallego, uno de Benito Taibo y el último de Javier Ruescas. Como ya he dicho muchas otras veces, Laura Gallego es de mis autoras favoritas y la que hizo que me apasionara por el mundo de la lectura así que, como no, su relato ha sido el que más me ha gustado. Aun así, he de decir que los tres me han parecido un poco flojos porque lo que esperaba eran 3 retellings de La Bella y la Bestia, pero esto no es exactamente con lo que me he encontrado.
El zorro y la bestia, de Laura Gallego En este relato volvemos al mundo de Todas las Hadas del Reino de la mano de Ren y descubrimos como Magnolia dejó de ser un hada madrina para convertirse en algo totalmente distinto. La verdad es que yo iría de la mano de Ren a cualquier sitio, pero me ha gustado mucho descubrir esta parte de la historia que no se vio en Todas las Hadas del Reino.
También me ha gustado el guiño final que todos los que hemos leído Todas las Hadas del Reino entendemos: "Aquel jardín era obra de Camelia y, por alguna razón que a Ren se le escapaba, ella siempre tendía a exagerar un poco con las espinas".
Anabella y la bestia, de Benito Taibo Este ha sido el que menos me ha gustado y también el que más se alejaba de la historia de La Bella y la Bestia que todos conocemos. Aquí seguimos a Anabella, una chica de familia humilde, en su viaje desde Honduras a Estados Unidos para buscar un futuro mejor, pues se trata de una historia de superación y supervivencia. Durante el relato nos cuenta también como fue su infancia y su vida en Honduras. He de confesar que la segunda mitad de la historia la he leído solo por encima, porque no me enganchaba nada y me resultaba muy tediosa.
Al cruzar el jardín, de Javier Ruescas En este caso el relato no ha estado mal, no me enganchaba mucho al principio pero luego me ha acabado gustando, incluso me ha dado alguna que otra sorpresa. El problema es que está narrado en segunda persona y se me ha hecho rarísimo, por lo que no he podido conectar del todo.
Well, that went downhill pretty quickly. And then the very end happened and it kinda earned it an extra star.
Meet Jake, a 35 year-old ex SAS-sniper, who is really messed up. Ever since his parents were killed in a terrorist attack, he’s had one purpose: war. He joined the forces as soon as he was old enough and lived with a burning need to fight evil. Then four years ago, two of his friends died on a mission in Afghanistan because of him, which can clearly mess with your head, and let’s not talk about the mess that is his love life. No longer part of the forces, Jake now works at a security firm in London and he’s the best; if you want to keep someone safe, you hire him. When he isn’t pouring himself into work, all he has to handle the pain is drinking and mindless one-night stands he kicks out at 6am. And that’s what he’s been doing for the past 2 weeks. That is, until he receives an assignment to shadow Camille Logan.
Enter Camille, 25 year-old London socialite, renowned party girl, model and daughter of a ruthless businessman who has stomped on anyone and everyone on his way to the top. But Camille is nothing like her father or how the press portrays her. She’s independent, determined and works hard to make her own way without touching a penny of her father’s money. She too went through a rough phase when her ex-boyfriend got her into drugs and, well, let’s say he wasn’t very good for her or to her.
When Camille’s father receives a threat on Cami’s life, he hires Jake to protect her (without her knowing, because that’s the kind of overbearing control freak he is) and that’s how the story starts. It was obviously predictable(except a few twists and turns near the end) but I liked the characters and they were perfect for each other. Much of both of them is a front and they’re both battling their own demons, so we see how they help each other through their struggles, while also trying to figure out who sent those threats an what’s really going on.
What bugged me was the insta-lust and constant sex scenes. From the moment Camille meets Jake, her brain stops working because he is oh so hot and is “unable to focus on him for too long for fear of bursting into lusty flames”. Of course, everything Camille does goes straight to Jake’s cock and all he wants to do is press her against a wall and kiss her senseless. It was too much, too fast. It wasn’t something that grows as they get to know each other, they already want to devour one another the moment they meet. And then when they get together, I feel like there’s a sex scene every 5 pages like we’re on the run and hiding but hey let’s have sex and they somehow fall deeply in love within the span of a week or two, to the point that the rest of the world ceases to exist and they know they’re each other’s forever. It’s kinda painful to read.
So I was going to give this 1 star or 1.5, but then Charlotte showed up at the end and made me cry and earned herself an extra star.
I don’t even know what to say. It was awesome and I loved it. A lot.
The story follows Bea, a plus-size fashion blogger, as she is cast to feature on the reality TV show Main Squeeze (basically The Bachelor/Bachelorette) following a rant on her blog about the lack of diversity and representation on the show that goes viral. Having recently been hurt in love, she is hesitant to meet 25 potential suitors but finally agrees, since it will give a boost to her career and show plus-size women that they too deserve love, even if hers is fake. That is until she catches feelings and everything gets fun and complicated, of course.
The story itself is great, it’s like binge-watching your favorite guilty pleasure reality TV, but the way it’s told adds so much to it. As well as following Bea, we get to see magazine articles, tweets, text messages or blog posts of the audience’s thoughts on the show as the episodes air. This multi-media format made for such a well-rounded story, whoever came up with that idea is a genius.
Also, I adored every single character; from Bea to her step father or Gwen and Linus, but I must say I’m seriously in love with Sam, what do I have to do to go on a Disneyland date with him? Most importantly, I didn’t just adore them, I connected with them and their personal issues, flaws and insecurities, which is the mark of a great story. Also, the representation in this book is chef’s kiss, not only because Bea is plus-size, but there’s queer, asexual, a kid who’s gender nonconforming, etc and it’s all beautifully done.
I loved following Bea on her journey and figuring things out with her. I mean, who has never thought “I’ll put off dating until I lose some weight” or “it’s impossible for someone like him to love someone like me”? A lot of Bea’s insecurities hit home with me and I loved the message of body positivity and self-love that this book gives.
A huge thank you to NetGalley and Two Roads (John Murray Press) for a digital review copy in exchange of an honest and voluntary review.
I loved these beautifully twisted little fairy tales. Leigh Bardugo can literally take the Grishaverse and do whatever she wants with it, it's always a recipe for success. And that's all I'm gonna say.
Where has this gem of a book been my whole life? I’ll tell you where: sitting in my TBR pile.
This is a retelling of Aladdin and I was kind of skeptical going into it because there are few things I love more than a good retelling. But they are hard to get. Why? Because they’re tricky. You need to be able to stick to the bones of the original tale so that it reads like a retelling and not something entirely different, but you also don’t want to be telling the same story all over again. And this one was absolutely flawless.
“I am a jinni, Aladdin. Never think I am anything but heartless”
We still have Aladdin, who finds the magic lamp and wishes to become a prince in order to marry the princess. And we still have the evil vizier who dreams to become all-powerful and rule over everyone else. But we also have Zahra, the jinni inside the lamp. It is through her eyes that we are told this story and it’s beautifully done.
“Wishes have a way of twisting themselves, and there is nothing more dangerous than getting your heart's desire.”
We’re thrown into a world where the humans and the jinn have been at war for 500 years. A world where jinn are made and every wish comes at a price. We get not only a slow burn, beautiful romance, but also a lot of magic, jinn politics and a fearless princess who needs no man to help her rule. And we get the story of what happened 500 years ago between Zahra and the Queen of the Amulens, to whom she tells this story.
“Even a thief may have honor, and even a jinni may have a heart.”
I don’t know what it is about the whole Arabian, 1001 nights vibes but it gets me every time. It kinda reminded me in some way of The Wrath and the Dawn (which I realized I really need to re-read because I remember nothing about it). It has the same atmosphere that captivates you and just sucks you in. And they’re both heavy on the romance. All I can say is that if you liked one, you will most probably like the other. And if you haven’t read them, do yourself a favor and go pick them up right now.
“He is the sun, and I am the moon. We must stay apart or the world will be thrown out of balance.”
I can tell you right now, January 24th, this will be in my top reads of 2021. Mark my words.
Poppy and Alex meet at orientation week in college and don’t think about each other again until the end of freshman year, when they share a car ride back home for summer break and, even though they’re polar opposites, they become inseparable ever since. Right then they establish one of the main pillars of their friendship: The Summer Trip. Every summer, the two of them will go on an adventure somewhere new.
Now fast-forward to present day, 12 years later. Poppy is a travel journalist living in New York (basically getting paid to travel the world and write about it #dreamjob) and Alex is a high school teacher still living in their small Ohio hometown.
We’re told this story through Poppy’s eyes, switching between present time – when she and Alex are in no-speaking terms since their summer trip to Croatia two years ago –, and the past, as she recalls each one of their vacations together leading to that ill-fated trip. Poppy is convinced they can make their friendship work again, all she has to do is take Alex on yet another summer trip, like old times.
This story spoke to me (100% unintentional pun – I’m not crazy, you’ll understand the reference if you read it) on so many levels I can’t even begin to put it into words. Even though Poppy and Alex are like the day and the night, I recognized parts of me in both of them. I’m a let’s-book-this-random-trip-and-see-where-the-wind-takes-us kind of person like Poppy as much as I’m a let’s-stay-home-all-day-with-a-book-and-not-socialize introvert like Alex. They are both relatable, imperfect, insecure and laugh-out-loud funny in their own ways. I could just keep reading about them forever.
The relationship between the two of them and how that friends-to-lovers was inevitable all along was beautifully done. I laughed, I cried and really, really, really enjoyed this book. Like a lot. It’s the perfect opposites-attract, slow-burn, i-want-you-as-my-best-friend-and-also-everything-else-but-it-scares-the-shit-out-of-me we all deserve and all I want to do is forget it so I can read it all over again.
As Emily Henry herself puts it, this is ultimately a book about home. Because it’s less about the places we go than the people we meet along the way. But most of all, it’s about the ones who stay and become home.
Now that’s all said, please excuse me while I go find myself a copy of Beach Read and get book-drunk on that one too, because what else am I supposed to do with my life now?
A massive thank you to NetGalley and Penguin UK for an e-ARC in exchange of an honest and voluntary review.