Scan barcode
booitsnathalie's reviews
99 reviews
Blindness by José Saramago
challenging
dark
reflective
sad
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Confinement, Death, Sexual assault, Excrement, and Pandemic/Epidemic
Moderate: Ableism, Blood, and Murder
Minor: Suicide
The Catcher in the Rye by J.D. Salinger
dark
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Bullying, Homophobia, Suicidal thoughts, and Murder
Minor: Alcoholism and Child death
Beautiful World, Where Are You by Sally Rooney
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.5
What an exasperating novel! Literally half of it is made up of the most inane, indulgent emails where characters ponder about consumerism and cosmetics and the philosophy of relationships, with zero theoretical background. Literally hundreds of pages of people just saying shower thought nonsense about labor and the exploitation of the global south and being like "idk if that makes sense, I've just been thinking about it." These are the sorts of conversations I have with friends over coffee and they tell me to read a fucking book.
The parts that aren't Wikipedia rehashes are also bizarrely inert. Huge chunks of the book read like alt text (constant plain descriptions of characters opening messaging apps), with almost no character voice because it's written in this detached third person style where everyone is a soup of the author just trying to have a single coherent idea. The back third of the book is the best by a wide margin because the emails go away and characters actually interact, but even that is too little too late because it's coming in with dynamics that are explicitly pulling from decades of friendship we barely see. We're meant to assume these characters are best friends despite only having uncomfortable interactions and bizarre emails. Then - psych - it's COVID time and we're talking about how actually nothing changed and isn't it sad we can't go to the cinema. Just exhausting stuff.
Finally, there are ongoing gestures at queerness which are so fucking obnoxious. Two of the characters are supposedly bisexual but everyone craves the traditional stability of heteronormativity. The book literally ends with a character getting pregnant and talking about marrying her childhood best friend and moving to the country.
This will certainly appeal to a certain type of middle class liberal that fancies themselves progressive but refuses to engage with actual materialist reality. Why consider decades of theory when you can act like you're the first person who has ever thought maybe it's wrong to subjugate much of the world to preserve an expendable lifestyle. Rooney is so transparently trying to come to terms with her own wealth and celebrity and it's just embarrassing.
What a fucking let down after Normal People.
The parts that aren't Wikipedia rehashes are also bizarrely inert. Huge chunks of the book read like alt text (constant plain descriptions of characters opening messaging apps), with almost no character voice because it's written in this detached third person style where everyone is a soup of the author just trying to have a single coherent idea. The back third of the book is the best by a wide margin because the emails go away and characters actually interact, but even that is too little too late because it's coming in with dynamics that are explicitly pulling from decades of friendship we barely see. We're meant to assume these characters are best friends despite only having uncomfortable interactions and bizarre emails. Then - psych - it's COVID time and we're talking about how actually nothing changed and isn't it sad we can't go to the cinema. Just exhausting stuff.
Finally, there are ongoing gestures at queerness which are so fucking obnoxious. Two of the characters are supposedly bisexual but everyone craves the traditional stability of heteronormativity. The book literally ends with a character getting pregnant and talking about marrying her childhood best friend and moving to the country.
This will certainly appeal to a certain type of middle class liberal that fancies themselves progressive but refuses to engage with actual materialist reality. Why consider decades of theory when you can act like you're the first person who has ever thought maybe it's wrong to subjugate much of the world to preserve an expendable lifestyle. Rooney is so transparently trying to come to terms with her own wealth and celebrity and it's just embarrassing.
What a fucking let down after Normal People.
Content Warnings
Moderate: Toxic relationship and Alcohol
Minor: Adult/minor relationship and Death of parent
Queen of Teeth by Hailey Piper
dark
hopeful
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Decent body horror novella with a lot of queer subtext. I think it tries to be about too many things and doesn't end up having coherent thoughts about any of them (transhumanism, being trans and beholden to the pharmaceutical industry, trauma from complicity with a dehumanizing corporation), but it's pretty sick when a lesbian turns into the monster from Carrion and eats Newark.
Content Warnings
Graphic: Body horror, Gore, Violence, and Medical trauma
Moderate: Confinement, Sexual content, Murder, and Injury/Injury detail
Minor: Sexual assault and Sexual harassment
Rosencrantz and Guildenstern Are Dead by Tom Stoppard
dark
funny
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Content Warnings
Moderate: Panic attacks/disorders
Minor: Sexual assault and Murder
The Lesser Bohemians by Eimear McBride
dark
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
A really challenging read. The prose is astounding and some of the most beautiful writing I've ever read, but the narrative it's in service of is troubling. Broadly about how trauma becomes a constant lens through which you view relationships, and the difficulty of ever coming out of it, mediated through a 20 year age gap relationship. The degree to which the dynamics are addressed was never particularly satisfying to me, and becomes very explicitly romanticized as if the problems were purely historical.
There is so much I love about this book - its tenderness, intimacy, and willingness to engage bluntly with challenging topics - but by the end it becomes too infatuated with its characters to commit to the end that's coming. Will be thinking about it for a long time all the same, please do read the content warnings if you are considering picking this up.
There is so much I love about this book - its tenderness, intimacy, and willingness to engage bluntly with challenging topics - but by the end it becomes too infatuated with its characters to commit to the end that's coming. Will be thinking about it for a long time all the same, please do read the content warnings if you are considering picking this up.
Content Warnings
Graphic: Adult/minor relationship, Alcoholism, Child abuse, Domestic abuse, Drug abuse, Eating disorder, Emotional abuse, Incest, Infidelity, Pedophilia, Sexual content, Toxic relationship, and Suicide attempt
Moderate: Vomit and Death of parent
White Tears by Hari Kunzru
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
Content Warnings
Graphic: Confinement, Racism, Torture, Police brutality, and Schizophrenia/Psychosis
Moderate: Drug use, Slavery, Murder, Fire/Fire injury, and Classism
Minor: Sexual assault and Medical content
The Luminous Dead by Caitlin Starling
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Graphic: Panic attacks/disorders, Schizophrenia/Psychosis , Abandonment, and Injury/Injury detail
Moderate: Medical trauma and Murder
Minor: Vomit
Normal People by Sally Rooney
emotional
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
A compulsive and brutally nihalistic romance novel. This is my first Sally Rooney and not at all what I expected, but it's very easy to see why she has become so highly regarded. She writes her characters with such tenderness and empathy, in spite of their confounding decisions and cycles of self alienation. At the same time they possess an acute, almost meticulous physical awareness that nevertheless only makes their pain more acute.
This book is predominantly about an inability to connect to others, of superficial interactions insufficiently standing in for a deeper connection the two protagonists crave. The conclusions they arrive at are frustrating, but so deeply articulated that they make a sort of sense. Nobody is capable of unpacking their adolescent (and ongoing) trauma because it requires a vulnerability that frankly terrifies them. So they dissociate, attempt to mirror each other, cling to the closest approximation of happiness they can find. It is unrelentingly bleak and I admire the willingness to refuse an easy resolution.
The degree to which this articulates an actual worldview of impossible codependency is murkier for me, with a lot of baggage of outdated psychology being inserted as an inherent cause of the isolation everyone feels (rather than, say, the class disparity that is crudely gestured at but far outside the novel's interests). I cannot begrudge it too much as it is well in line with characters who themselves have very little awareness of the reasons they are so unhappy, but I am skeptical about the ways that viewpoint inevitably gets expanded to be some sort of social truth.
Mostly I am surprised by the book's coldness. I devoured it in a few days and came away feeling profoundly empty. I do mean this as a compliment of sorts.
This book is predominantly about an inability to connect to others, of superficial interactions insufficiently standing in for a deeper connection the two protagonists crave. The conclusions they arrive at are frustrating, but so deeply articulated that they make a sort of sense. Nobody is capable of unpacking their adolescent (and ongoing) trauma because it requires a vulnerability that frankly terrifies them. So they dissociate, attempt to mirror each other, cling to the closest approximation of happiness they can find. It is unrelentingly bleak and I admire the willingness to refuse an easy resolution.
The degree to which this articulates an actual worldview of impossible codependency is murkier for me, with a lot of baggage of outdated psychology being inserted as an inherent cause of the isolation everyone feels (rather than, say, the class disparity that is crudely gestured at but far outside the novel's interests). I cannot begrudge it too much as it is well in line with characters who themselves have very little awareness of the reasons they are so unhappy, but I am skeptical about the ways that viewpoint inevitably gets expanded to be some sort of social truth.
Mostly I am surprised by the book's coldness. I devoured it in a few days and came away feeling profoundly empty. I do mean this as a compliment of sorts.
Content Warnings
Graphic: Suicidal thoughts and Toxic relationship
Moderate: Bullying, Domestic abuse, Panic attacks/disorders, Suicide, and Sexual harassment
Minor: Adult/minor relationship
The Stranger by Albert Camus
challenging
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? It's complicated
2.0
Read this while trying to work through my thoughts on Arrest of a Stone Buddha (a game that blends French nihilism with Hong Kong action... definitely an interesting combination). It's a very compelling and enraging book, I think if I'd read this as a depressed teen alongside Myth of Sisyphus it would have been an instant favorite.
A decade later I don't have much use for nihilism and find the exercise here cloying and unmoving. I will give it props for being the type of philosophy I so strongly disagree with that reading it does prompt me to think a hell of a lot about why I am so put off, which I suppose is the purpose of philosophy in a way.
A decade later I don't have much use for nihilism and find the exercise here cloying and unmoving. I will give it props for being the type of philosophy I so strongly disagree with that reading it does prompt me to think a hell of a lot about why I am so put off, which I suppose is the purpose of philosophy in a way.
Content Warnings
Moderate: Confinement and Domestic abuse
Minor: Gun violence and Stalking