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blewballoon's reviews
680 reviews
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I am so glad I read the Parish Orphans of Devon series before reading this, I would have missed a lot of context and probably struggled to keep all the characters of Teddy's extended found family in order. It does make me want to re-read the rest of this series to see what else I missed, but this book serves as a bit of an epilogue for both series since there are many glimpses at all the happy couples. I did also cry in my car during this book's epilogue.
What am I going to do now? I've been deeply invested in this network of characters for 8 books, I would happily read 8 more. Whatever historical romance I try to read after this is going to be at a serious disadvantage. Mimi Matthews sets a high standard for characters, prose, romance, and setting.
Audiobook narrators were great, although I do think they changed up some accents and some pronunciation of names, unless I'm remembering wrong. It's possible that since I switched to reading text vs listening to audio for the Parish Orphans of Devon, I came up with my own idea of how things should sound.
Graphic: Ableism, Emotional abuse, Misogyny, and Sexism
Moderate: Pregnancy
Minor: Bullying, Chronic illness, Sexual content, and Death of parent
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The mystery was okay, but fairly similar to another book I've read, so it was easy for me to figure out. I also clocked who the real killer was very early, purely based on vibes. If you're reading this for the mystery and aren't looking for the soft stuff I mentioned earlier, you might be disappointed.
The audiobook narrator did a good job, she has a dynamic voice and had a few different voices. I didn't love the voice she used for Simon, and the crying moments for the main character were sometimes awkward, especially since there are so many of them.
Graphic: Child death, Death, and Pregnancy
Moderate: Cursing, Gun violence, Violence, Vomit, and Murder
Minor: Infidelity
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Ableism, Misogyny, and Sexism
Minor: Pregnancy, Gaslighting, and Alcohol
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Moderate: Ableism, Child abuse, Chronic illness, Grief, and Abandonment
Minor: Alcoholism, Pedophilia, Alcohol, and Sexual harassment
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
I found Aelis self absorbed and entitled, and while some characters responded positively to her more abrasive approach to people, I thought she was unnecessarily rude. She did have some moments where she was more reasonable after insulting people, but it felt to me like there was a lot of room for character improvement that doesn't seem to be coming because she mostly didn't face any consequences for her attitude.
I didn't find the residents of Lone Pine particularly interesting either, and her interactions with them take up the bulk of the first half of the book. I did like the love interest (who plays a very minor role and is absent for most of the story) and the huntsman/guide she works with for a portion of the second half of the book. I also thought the plot mysteries were fairly intriguing, and they are what mostly got me through to the end.
The audiobook narrator was good, I think they matched the energy the author intended.
Not sure if I will continue with the series or not, I had a physical copy of this book and I might just donate it.
Graphic: Death, Violence, and Injury/Injury detail
Moderate: Cursing, Blood, and Classism
Minor: Animal death, Body horror, Gore, and Sexism
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Tom and Jenny both have an intriguing combination of being guarded yet direct in their approach to people, while having personality traits that differ in complimentary ways. Their conversations were always engaging to read because of their unexpected openness and honesty. No miscommunication trope to be had here, and yet there was immense tension from the ever present conflict keeping them from truly being together.
For historical immersion, I can't think of a romance author who is more devoted than Mimi Matthews to presenting the setting accurately. It was educational and exciting to read about the international travels of the Victorian era in such detail.
I didn't realize until 44% into the book that Ahmad and Mira were the same from The Siren of Sussex! I was absolutely delighted to get more of their story and it made me want to re-read The Siren of Sussex again with this new context.
Graphic: Colonisation
Moderate: Child abuse, Racism, Xenophobia, Abandonment, and War
Minor: Death, Racial slurs, Suicide, and Death of parent
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
I thought Bowen and Tamsyn were incredibly likeable. Tamsyn in particular was refreshingly self aware and open-minded. Their chemistry was great and it was complimented nicely by the time travel plot. A small criticism is that the resolution to the plots/mysteries was a bit lackluster, but that wasn't a big issue for me since I read this series for the romances.
Graphic: Sexual content
Moderate: Cursing, Death, Grief, Death of parent, and Alcohol
Minor: Child death
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
I also think my experience suffered a bit from the "Seinfeld is Unfunny" phenomenon where I've read so many mysteries that are inspired by and derivative of Agatha Christie that reading the original ends up feeling a bit unoriginal.
I felt that the writing was a bit too repetitive and held the reader's hand too much in the first half and then jumped too quickly in the second half to keep the reader from figuring the mysteries out themselves. I can see though how it would be more satisfying as a re-read (or re-watch as a film) once you know the reveals and can see how the clues were there all along.
The writing felt like it would easily translate to a film script, it's mostly dialogue and essentially stage directions of how characters are moving about and reacting to things.
The perspective is third person and not limited to Poirot himself, which I thought was interesting.
Moderate: Addiction, Alcoholism, Death, Fatphobia, Gun violence, Racial slurs, Racism, Suicidal thoughts, Toxic relationship, Violence, Blood, Medical content, Murder, Toxic friendship, Alcohol, Colonisation, Injury/Injury detail, and Classism
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexism
Moderate: Confinement, Misogyny, Physical abuse, Torture, Medical content, Grief, Medical trauma, and War
Minor: Mental illness, Rape, Suicide, Stalking, Murder, and Alcohol
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
The book tries so hard to justify Brighton's actions in the past and present Charlotte as also being part of the problem, but I just can't see it. Charlotte had some flaws, sure, but what Brighton did was devastating and cowardly and Charlotte not being able to magically intuit what Brighton wouldn't actually tell her is not something she should be faulted for. You cannot expect your partner to read your lip quivers and figure out what you want. And later in the book when
Also the resolution to all the conflicts is just tucked into the final chapter and feels a bit unfair. Spoiler rant:
I did like the side characters and the dog.
Graphic: Sexual content, Abandonment, and Alcohol
Moderate: Panic attacks/disorders and Vomit
Minor: Confinement and Grief