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baexlee's reviews
72 reviews
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.5
I tend to steer clear of the books for many reasons, mainly because I just don't personally love the tropes that are common throughout them, but I often find that the plot is lacking as well and I'm not very forgiving of 'romance without a plot' if the romance isn't very soft or romantic, or really even all that common. This book was more, bullying without a plot and then finally some fluff at the very end when the timeline for that fluff makes no sense. The epilogue describes a time skip that reasonably could occur within a span of 10-15 years but expects the readers to believe that everything happened in the span of five years while both characters were also pursuing college degrees. Of the mysteries and secrets throughout the story I found myself just not caring when it came time for the final reveal because there was no effort put into developing the motivation behind the characters actions, so each "big reveal" falls utterly flat on the page. The main characters themselves are hard to root for and in the end I was ultimately left feeling like I was probably better off having stopped somewhere halfway through.
Graphic: Bullying, Cursing, Misogyny, Sexism, Sexual content, and Toxic relationship
Moderate: Death, Drug use, Homophobia, Violence, and Grief
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
As much as the Agon is driving the events of this novel, Lore does not remain stagnant. Her emotions and the rawness of her feelings are ripe on the page, which is another strength Bracken displays throughout. Despite the briefness of certain moments (I do prefer a bit more romance personally), throughout the novel Bracken shows her mastery of character emotion as she played with my heartstrings. Lore's history and her family background, as well as the connection between her "past" and her "present" creates really intense emotions for her as she must finally face emotions she has not dealt with for the past seven years, Bracken not only handles those emotions but does a great job at putting Lore into the right mindset for where she might have been at the time of the events occurring.
My biggest problem with this novel was the age of the characters. From the very beginning of the book it was implied that Lore was maybe young adult, early twenties at youngest, mid-twenties at most. I'm not marking this as a spoiler because it's in the first chapter but the first chapter establishes Lore in an underground fighting ring, she then eventually goes back to her brownstone that she has inherited with no questions asked. I mention this because later in the novel there is a flashback seven years that establishes Lore to be ten years old in the flashback. There is no other definitive age establishment that i could find within the text so this means that during the Agon and the events of the book, Lore and the majority of our main characters are meant to be seventeen years old. Not only do a lot of Lore's actions now feel a bit more mature than they should, but a great deal of the flashback's also feel greatly aged up as well. Perhaps this was an intentional character choice to show the effects of this type of life and the way that Lore was raised, but it pulled me out of the story on more than one occasion and ultimately brought the star rating down because of it.
Graphic: Child death, Violence, Suicide attempt, and Death of parent
Moderate: Adult/minor relationship, Child abuse, and Rape
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
The guilt of both Lara and Aren is portrayed well throughout, delving into the complexities and the volatility of their emotions as they work to free Ithicana and deal with their consequences of their choices, their relationship and the lingering feelings that they may have for each other. I think that Jensen explores Aren's guilt especially well through the expanding of his perspective. Not only is he a king who's kingdom has suffered because of his choices, but he cannot seem to help himself from continuing to make those damning choices that made his people suffer those losses in the first place. All of this is done however, without over complicating (or perhaps bloating is a better word) the narration.
The primary reason that I cannot rate this 5 stars like I did the initial installment is the ending. Perhaps it just felt too rushed when it was all said it done, and I can tell that while Lara and Aren's story has predominately come to a close, Keris and Zarrah's story will be taking off in the third book and the political entanglements have certainly not come to a close, especially not after it was revealed that
Graphic: Confinement, Death, Drug use, and Violence
Moderate: Alcoholism
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Now I thought about this a lot and it almost doesn't feel fair, but I cannot help but to compare this to my recent rereads of a few other notable adult fantasy novels. I decided I will mention it though because the reviews and recommendations everywhere compare this work to those series and frankly this is a disservice to Danielle Jensen and The Bridge Kingdom. Both of those series left me frustrated at their conclusion (or current end point) because there are so many loose ends, randomly thrown in tidbits of information that feel important when you are reading them and then are just tossed aside, or inconsistently motivated characters but The Bridge Kingdom does not under any circumstances suffer from this same failure. Jensen masterfully foreshadows and builds a complex and unique fantasy world that acknowledges the intelligence of both the characters and the reader themselves. Lara and Aren do not feel any less than the capable, competent and deadly rulers that they are written to be and the politics and dealings of Ithicana are nuanced and realistic.
In a time when I am enjoying reading, but still struggling to find those really stunning reads that stick long after I close the page, this was a welcome reprieve that left me laughing out loud, cheering and gasping at Lara's journey and excitedly relaying the plot back to my husband (who was happy to listen even though he didn't really know what I was talking about). If you are looking for a happy ending, or even hope for one in the second novel, The Bridge Kingdom will not deliver on that front. But if you are seeking something that brings you into it's world, seduces you with it's brilliantly balanced characters and complexities, then I cannot recommend this book more.
Graphic: Sexual content and Violence
Moderate: Confinement, Misogyny, and Death of parent
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Despite my qualms with the style, the overall story is beautifully told and the pacing builds Zafira into a stunning and compassionate heroine that is complex and multifaceted. This is not to say that Nasir falls flat in comparison to her in any way either, as their tale and the adventure the ultimately brings them together takes care to equally develop and pay attention to each of them as it builds. The thing that holds me back from rating this anything higher than four stars is that there were many times where I felt battles, conflicts or other challenges were resolved with a bit too little detail for my taste, some of them felt a bit too non-descript or fade-to-black so to speak. Now my opinion could very well be colored by the fact the last book I read was extremely over detailed in it's battle scene's, so take that with a grain of salt, but I believe my rating to be fair.
Moderate: Child death, Confinement, Death, Physical abuse, Sexism, Grief, and Death of parent
Minor: Blood
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.25
Nothing feels planned out at all, and the twists feel like they were decided as they were happening and it really just leaves me wanting more. There are some glaring editing errors that just made me feel like the entire thing was rushed (if you want an example of what I'm talking about look at the contradiction that is written one sentence after something is stated on page 639) This installment honestly feels almost wholly separate from the other installments in the series in some ways. It does manage to shine in other regards though.
The main reason that I don't give this a rating lower than a 2 is that the romance is still steamy and Poppy and Casteel still manage to steal my breath away, which is always a redeeming factor, and in addition to that the relationship between Poppy and the wolven is interesting and developed. There was enough that reminded me of the previous installments, well planted call backs and genuinely laugh out loud heart warming moments that I have hope the story can be redeemed in later installments, but as it currently stands I'm nervous to see where Poppy's Crown will take her.
Graphic: Confinement, Death, Sexual content, Blood, and Grief
Moderate: Child death, Kidnapping, and Death of parent
Minor: Infidelity and Torture
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This series is not afraid to shy away from it's characters dealing with difficult subject matter, and The Shadow Wand is no exception to that. Things do not simply happen to these characters, they are not passively accepting the events of their narrative, rather they are critically thinking about the events of their story and emotionally unpacking them on the page, which can only help serve to deepen our connection to a character as readers.
Fair warning to anyone with an aversion to love triangles - this series is likely not for you. Since this is the third installment we are well into the romantic plotlines, but Forest does not make any predictable choices and the only thing that I can be certain of is that I cannot be certain of anything when it comes to Elloren, Yvan and Lukas. As far as my personal opinions, i thought I had made my mind up, and then I had a lot of opinions changed by the events of this novel, only the be left feeling confused, frustrated and grief stricken by the end.
Graphic: Death, Misogyny, Physical abuse, Rape, Sexism, Violence, and Religious bigotry
Moderate: Body shaming, Bullying, Genocide, Racism, Sexual content, Xenophobia, and Grief
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Throughout the series it was apparent that Garber paid close attention to her plot lines and does not leave a clue without the intent to tie that piece of the story up neatly at some point later on. She left enough clues that the mystery was solvable, but it wasn't so obvious that you are not surprised by the reveals and twists and turns of the plot. Additionally, something that really shines throughout the entire series is the romantic relationships between all the characters. I personally don't love a romantic love triangle. I prefer a cut and dry relationship with it's own challenges along the way that don't necessarily involve another person, but I found myself really enjoying the complex relationship between
Overall I think that this series had a rough start as far as my personal taste, but the ending is so strong and enchanting that I have to recommend it.
Graphic: Confinement, Death, Blood, and Murder
Moderate: Addiction
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Tella is confident, bold and vivacious. She is a daring leading lady who isn't afraid to take risks. Meanwhile the world of Valenda is much more developed than the original town and estate of Tella and Scarlett's father and the island of the Caraval game in the first novel. Sometimes the second novel in a series can be difficult to get through, as well as rather limiting in what it develops in the characters relationships and the backstory but Legendary does not have that same issue. The set up and reveal moments are satisfying and delightful. I was genuinely surprised with a few of the big reveals in moments when I had thought I really had things figured out, and then I did have things figured out in other moments. Overall it was a splendid second installment and provides great momentum for the Finale.
Super spoiler -
I wasn't surprised that Dante was Legend, but it does raise some questions for me that I'm not sure about.
Moderate: Death and Blood
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
1.0
The plot is convoluted and confusing and there and the pacing just feels off. The stakes didn't really feel all that high for me to be honest and I will dig into this especially in the spoilers section. Most of all, the relationships between characters were incredibly frustrating and communication was so poor. I can understand poor communication or lying as a plot driver in some instances but not when it starts nearly every conflict between a character. Big payoff moments just fell flat because I felt like there wasn't any build up to earn them or the actual build up didn't match the interaction that was written for the characters afterwards. Everyone just feels like they act out of character 50% of the time and it's unnerving.
The relationship between Lou and Reid is SO TOXIC and that's why I can't give this any higher of a rating even if I wanted to. There is literally a line in the book where Reid inner monologues something along the lines of "I need to fix her", and that's not even mentioning the whole "I killed my father figured to revive you and now you basically continue to lie and slap me in the face with it constantly." I just didn't even want to root for this relationship because it is so unhealthy and they do not communicate at ALL. But hey maybe that's just me...
Graphic: Child death and Blood