A review by bookforthought
Atalanta by Jennifer Saint

adventurous medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

It's no surprise to anyone that I love a Greek myth retelling but I have to admit, with new retellings being released in what feels like an almost endless stream, I have burned out a little on the genre. This is partly why I cut down on these retellings for a while but also why I've been struggling to write up a review for this particular book.

I was actually very excited for Atalanta to get her own book, as she is definitely a much-overlooked character and one I haven't read nearly enough about. This probably helped when I picked up this book because, contrary to Jennifer Saint's previous works (Ariadne and Elektra) where I knew the original pretty well, here I had virtually no expectations of how the story would play out beyond the main points.

There is definitely a lot more action in this book as opposed to the previous two, and I really enjoyed the journey Atalanta undertakes with the Argonauts and the challenges they have to face. Saint's writing is rich and flows nicely so it's always a pleasure to read. The settings are vivid and gorgeous, and the dangers many, so I was often sucked into the story, even though certain sections kind of dragged on and felt a bit too "filler-y".

The main issue I have with this book is essentially the same as with the previous two as well: they are marketed as feminist retellings, but there really isn't that much feminism in here. The female characters are barely given any agency beyond what was already there in the original. Atalanta is a wonderfully strong woman who grew up without any of the social constraints other women were subjected to, enjoys the favour of a goddess, and is keen to prove she is equal to the men who constantly belittle and undermine her.

And yet, she is very quick to adapt to social expectations, barely challenges the dominant power structures and easily defers to a man in everything. She is often passive to circumstances and the only work of deconstruction and personal growth she engages in relates to her romantic relationship, which is questionable at best. Most of the book is actually Atalanta narrating the male heroes' exploits instead of her own, even in those (extremely few) times where she is given a chance to demonstrate her superiority to them both in cleverness and skill. Passivity worked well with Ariadne, who was an entirely different character and made a different point, but it just clashes with what Atalanta's character is supposed to be. Once again, retelling a story from a woman's point of view is an interesting and important work and one that is absolutely necessary, but merely doing that is not enough for it to be a "feminist" retelling.

Overall I had some fun with this book, I enjoyed seeing a different myth being retold and it was entertaining enough, but not much more than that.

I received an advanced review copy of this book for free from the publisher via NetGalley. This did not affect my opinion of the book in any way.