If you’re a fan of straightforward police procedurals with an edge, “Signal Loss” by Garry Disher delivers the goods. Gritty, fast-paced, and filled with suspense, it manages to weave tension with moments of levity, proving that crime fiction doesn’t have to take itself too seriously. I found myself thoroughly engrossed and frequently chuckling, thanks to its sharp, often delightfully macabre humour.

Having long enjoyed the Hal Challis series, I was thrilled to see familiar faces and continued character development. Hal Challis remains a refreshingly intelligent, responsible, and reliable protagonist. His principles shine not just in his professional role but in his personal life as well, which feels increasingly rare in this genre. His evolving relationship with Ellen Destry adds a layer of warmth and realism, making him all the more compelling.

Pam Murphy also deserves a nod. Her growth as a character is a joy to witness, showcasing a nuanced progression that avoids clichés. She’s tough, flawed, and deeply human, which makes her one of the standouts in the series. The banter between the ensemble cast is a highlight, offering a good dose of irony and some laugh-out-loud moments that break up the grittiness without undercutting the tension.

“Signal Loss” nails the balance between procedural precision and human drama. The plot twists and turns with admirable elegance, never feeling forced or derivative. Disher’s prose is lean but evocative, peppered with just enough detail to paint a vivid picture without bogging down the pace. While the novel doesn’t reinvent the genre, it doesn’t need to. It’s compelling, masterfully crafted, and downright entertaining.

In short, this is a must-read for crime fiction enthusiasts. Fans of Garry Disher’s work, in particular, will feel right at home.

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