This fantasy book is deeply steeped in Chinese mythology. 

FMC Xingyin is the immortal daughter of the moon goddess and an mortal heroic archer. Her mother is trapped in the celestial territory of the moon due to having offended the emperor of the celestial realm. The novel is Xingyin’s quest to free her mother. It takes place over a traditional, four-part east Asian style storytelling structure, where you have the introduction, development, twist, and then conclusion. So the pacing was a little different from the western fantasy structure that I read more of. Things that I kept expecting to be parts of the quest that would take the duration of the novel and take us even into the second part of the duology were actually resolved fairly quickly. It was kind of refreshing from an angst point of view. 

Themes of being the chosen one, found family, and self-love and sacrifice resonate across cultural differences in storytelling style. There are lots of mythical adversaries and action sequences to keep your interest piqued. There are interesting secondary characters. And seeing Xingyin develop into a bad*ss warrior is a lot of fun. 

This is a fantasy romance and so we do have a love triangle between Xingyin, and two male characters, Liwei and Wenzhi. I usually hate a love triangle. But I didn’t mind it so much here. I’m still not certain it’s resolved. Especially after I went back and looked over my notes from the earlier part of the book and although it ends with what seems like a clear choice, I’m not convinced we’ve seen the last of the other suitor. 

It did take quite a while before we got to anything even resembling a romance plot. And I have to admit it didn’t seem like a slow burn so much as a friendship that suddenly erupted into love. Maybe it’s because Xingyin was not picking up on the signs of the love interest, but for me, it kind of came out of left field. From then on there are many swoony moments, including Xingyin’s journey to self-love. 💖💖💖

Normally, in these reviews, I talk about diversity. But that’s a little bit complicated here. By the strictest definition of diversity, the novel is not all that diverse. The characters are all of one race and they are all cis gendered and hetero. They all even come from relatively high class stations. However, the novel does feature mythology and characters (written by an author who is) underrepresented in popular fantasy in the U.S. So while it does not meet the definition of diversity in the strictest sense of the word, it definitely ticks a lot of boxes in the spirit of diverse representation about which I am usually writing.

Oh, and did I mention there are dragons? There are dragons! They play a relatively small role, but they are there all the same.

Overall, it took me a little while to get into this, but once it picked up, I really was hooked. I will definitely be reading the next installment in the duology. And luckily it’s completed so I don’t have to wait! ⭐️⭐️⭐️⭐️💫 / 💖💖💖