Maoist Model Theatre: The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966-1976) by Rosemary Roberts

Maoist Model Theatre: The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966-1976)

Women and Gender in China Studies

Rosemary Roberts

285 pages missing pub info (editions)

nonfiction art history
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Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its 'erasure' of gender and sexuality. In particular the strong heroines of the yangbanxi, or 'mod...

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