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tantoporleer's review against another edition
emotional
hopeful
inspiring
reflective
relaxing
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Minor: Death, Gun violence, Mental illness, Sexual violence, Suicidal thoughts, Torture, Violence, Vomit, Dementia, and War
natalielorelei's review against another edition
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Historical fiction about the aftermath of World War II in Malaysia. I originally picked this up because a rec list mentioned the lush descriptions, and I was briefly in Cameron Highlands in 2018 and thought going back for a virtual visit sounded amazing. I got what I was looking for and a whole lot more besides. It was completely lovely--nuanced, complicated, hopeful, and also devastating.
The Garden of Evening Mists weaves back and forth between past and a late '90s present. In the "present" strand, Judge Teoh Yun Ling has just retired after receiving a serious medical diagnosis and heads back to Cameron Highlands for the first time in 40 years to meet with an art historian interested in the work of her late mentor Nakamura Aritomo, a famous gardener and woodblock print artist. In the "past" strand, it's 1949, and Yun Ling attempts to commission Aritomo to create a garden in memory of her sister who died in a wartime slave labor camp. Aritomo refuses the commission but offers Yun Ling an apprenticeship so that she can create her own garden.
That's the plot. In practice, this means that the book is about 50% gorgeous descriptions of gardens, tea plantations, and jungles and about 50% flawed, complicated, traumatized people attempting to heal and have relationships with other flawed, complicated, traumatized people. It's thoughtful and moving but also very heavy.
It snuck up on me and wove a quiet, hypnotic spell. It took me almost a week to read the first half and then I rushed through the second half in just a few days. Tan Twan Eng has such compassion for his characters, even as he refuses to let them off the hook for anything. He's also uncommonly good at writing women; I rolled my eyes a bit about the reveal of Yun Ling's romantic past (and maintain that the book would have been stronger and more interesting without that element), but I found her voice and character completely believable, both as a woman about my age and as a much older woman. I have complicated feelings about the ending, but again, it felt completely in character.
Graphic: Confinement, Death, Genocide, Slavery, Torture, Violence, and Murder
Moderate: Ableism, Death, Homophobia, Panic attacks/disorders, Racial slurs, Racism, Rape, Sexual assault, Terminal illness, Dementia, and Grief
Minor: Vomit and Abortion