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aviery's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Child death, Death, Violence, and Blood
Moderate: Misogyny, Rape, Sexism, Sexual assault, Murder, War, and Injury/Injury detail
lurille's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
There were so much opportunities to create a deeper world on each characters—particularly Castor. I loved him ever since I first met his character, therefore, my expectations were high on the explanation of how he became a
Nevertheless, I loved how diverse the characters were, especially having an LGBTQIA+ couple. I also had few gasps as I read the plot twist and honestly, nothing could have made me ready from it.
Overall, it was good primarily because it's my cup of tea—gods and goddesses, female heroine, gays and all. I'm in for these tags haha.
Graphic: Child death, Death, Gore, Torture, Violence, Blood, and Death of parent
Moderate: Emotional abuse, Pedophilia, Sexual assault, Death of parent, and Sexual harassment
Minor: Cursing, Emotional abuse, Gaslighting, and Injury/Injury detail
readwithria's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
I love a mythology retelling or reimagining, and that’s what I thought Lore would be. Instead, it was a giant game of hide and seek with a couple of Greek gods and multiple McGuffins. This was more of a thriller through a filter of mythology instead of what I was hoping it would be.
I think that part of the problem was the pacing. I found the first ~60-70% to be kinda boring. Once we got to the climax it definitely became more interesting, but unfortunately there wasn’t enough time given to the resolution for that climax to feel impactful. Part of that is because this book takes place over seven days, and that’s not very long, but there’s a lot of exposition and expository monologues.
Another issue I had was with the romance subplot. I did not feel any chemistry between the two love interests until the very end of the book. The pining between two secondary characters was more compelling for me. Honestly, Miles and Van are the two most interesting characters and we don’t spend nearly enough time getting to know them.
All in all, this book was fine. It did what it set out to do, I’m just not convinced that what it set out to do was particularly interesting. 3.5 stars.
Graphic: Death, Violence, Blood, Murder, and Injury/Injury detail
Moderate: Sexual violence, Kidnapping, and War
Minor: Fire/Fire injury
wadebittleston's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Gore, Misogyny, Sexism, Violence, Mass/school shootings, Death of parent, Murder, and Injury/Injury detail
annaparente's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
- Miles was so sidelined. He played a pretty significant role in the first third-ish of the book, but after that he just disappeared — literally. I’m pretty sure there’s a whole hundred pages where he isn’t even mentioned. He started out as such a great character and then just devolved into the token mortal: the only character who was wholly tied to the real world.
- The foreshadowing felt really weak. I can’t fully describe it, but it either wasn’t suspenseful enough, or I guessed what would happen before it did.
- Pacing-wise this book falls into the same trap as The Darkest Minds. It’s the same medium pace throughout the book, not picking up when it should. Especially in the end of the book, I thought the punches could have been pulled faster, just one surprise after another. Instead, there was too much empty space between plot points. 30 pages could have been cut.
- It definitely had something to do with the pacing, but the ending left something to be desired.
- The third person perspective works very well.
- Lore and Cas are the most fleshed out characters in the book, and I adored all the flashbacks with them together. Their friends-to-lovers arc was so predictable but also so wonderful, and I loved following the complexities of their relationship throughout the book.
- Lore’s own battle with her internal conflict was wonderful. The balance between destiny and choice, and grappling with wrong choices made in the past… It was all handled very well. I really appreciated the discussion of sexism in ancient Greek culture/mythology as well. Thematically, a great novel.
- THIS BOOK IS BASICALLY PERCY JACKSON FOR OLDER TEENS. I know you could probably say that about any mythology-based book, but seriously. The amount of research that went into this book to make it mythologically accurate, the setting (NYC!), and the constant action — it was giving off strong Percy vibes for sure.
Graphic: Death, Blood, and Injury/Injury detail
Moderate: Misogyny
pagesbycaroline's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Child death, Death, Gore, Blood, Death of parent, Murder, and Injury/Injury detail
Minor: Gore and Pedophilia
sophie1_xox's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Child death, Emotional abuse, Gore, Misogyny, Rape, Sexism, Terminal illness, Violence, Blood, Death of parent, and Injury/Injury detail
Moderate: Ableism, Adult/minor relationship, Sexual assault, Sexual violence, Murder, and Fire/Fire injury
withlivjones's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I think that Lore is a wonderfully developed protagonist with a lot of flaws but who nevertheless manages to be very likeable through her love of New York and her attachment to those she loves. Miles is your typical quirky best friend and I love the fact that his knowledge of the mortal realm helps massively within the plot. I also loved witnessing the development of his relationship with Van, and I would honestly jump at reading the exact same book again but told from either of their POVs. Aristos Kadmou - or Wrath - is an absolutely terrifying villain that exemplifies what happens when you give power to the wrong kind of person. The one character I didn’t really connect with was Castor, his characterisation was a little inconsistent for me and by the end he kind of came across as a golden retriever boy with no flaws to use as a character arc. That said, I still really enjoyed the romance between him and Lore.
The plot twists are really what gives this book its oomph. They just keep coming and each one hit me like a truck, but at the same time they’re done in a clever way and actually serve a purpose rather than just being there for shock factor. The unreliable nature of Lore’s POV and how information is revealed very slowly adds to the fact that you honestly can’t fully trust any of the characters, not even the protagonist.
Overall, this is an action-packed book for mythology-lovers. I don’t know if I’d call it YA, and I think it might be better suited to older teenagers due to certain content in the story, as well as the complexity of the worldbuilding and how deeply it dives into Greek mythology - prior knowledge of a fair amount of mythology is definitely recommended in order to understand all the references and discussions.
Graphic: Child death, Death, Gore, Misogyny, Violence, Blood, Grief, Death of parent, and Injury/Injury detail
Moderate: Cancer, Cursing, Sexual assault, and Terminal illness
Minor: Gun violence and Alcohol
blissofalife's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Misogyny, Sexism, Violence, and Classism
Moderate: Child death, Death, Genocide, Rape, Sexual assault, Blood, Grief, Death of parent, Murder, Fire/Fire injury, War, and Injury/Injury detail
Minor: Adult/minor relationship, Bullying, Cancer, Chronic illness, Cursing, Suicide, Vomit, and Suicide attempt
daniisrevding's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.75
Graphic: Child death, Death, Gore, Blood, Grief, Death of parent, and Injury/Injury detail
Moderate: Cancer, Cursing, Misogyny, Rape, Torture, Vomit, and Murder