I read Grann's novel in tandem with watching Scorsese's film, which only intensified both works' emotional impact on me. Grann's novel, which he spent over a decade researching, focused on Tom White's investigation into the 20-year terrorization of the Osage Nation. White recognized 24 murders associated with this reign, but Grann offers a significantly higher total: 60+. Throughout the novel, Grann offers many options for motives to these murders, but he offers you the above quote: money, power, greed, stolen through a government, a culture that was not only blind to it but complicit to it.

Although passionately researched by Grann over many years, my main gripe with the novel matched the opinion of DiCaprio: Upon reading the screenplay directly adapted from Grann's novel, DiCaprio realized how focused on White, and the true crime/procedural aspects of the novel. Thus, for the film, he offered that the story focuses more on the Osage themselves, specifically on Mollie Burkhart. This, emotionally, is where Grann stumbles the most. While packed with true crime intrigue, the novel focuses the vast majority of the pages on White, his history, and his contributions to the growth and development of the FBI.

This isn't to say that it was poorly written or didn't have a clear emphasis on empathy and self-awareness (of ourselves and the privileges we receive from our culture and system of government). Grann leads us through the mystery in such an intriguing way I could not put the book down for two days straight. His writing style, while simple, was straightforward in all the ways it needed to be. There was no beating around the bush on how horrible these people were. Not to mention, Grann pressed on to meet and interview many Osage families and connect tens more murders to the original "outbreak". It felt cathartic as a reader, and I hope it was even more so for the families that had been waiting a century for closure.

"Killers of the Flower Moon", the film and the novel, are heavy, heart-wrenching works that every American should be exposed to. The sheer nakedness of greed is still occurring today, with the same amount of deeply ingrained racism. Grann's novel taps into these ideas with beauty and tact, and both his and Scorsese's work. I only wish one day these stories will be told by American Indians themselves. 

Top tier non fiction. Excellent retelling of the Osage murders and the investigation into them, followed by a section reflecting on the research process and the impact on the Osage descendants. Well written.

One of the best reads I’ve encountered, and one of the most challenging. I pains me to think about all that the Osage suffered, and the fact that such a horrifying part of history has been erased and  forgotten for all these years.

While I am a movie person and obviously watched the Oscars this year where its movie adaptation was frequently nominated, I had managed to avoid knowing much about the Osage murders before reading this book.

David Grann’s writing is fantastic. He manages to keep his language accessible and fluid while also not deviating too far from the facts of the case. This book is part thriller, part nonfiction, and while it is easy to cross that line into sensationalism, I believe Grann worked incredibly hard to make sure the families of the victims were heard and not drowned out by the “true crime” aspects of the case.

The last chapter, “A Case Unsolved”, devastated me. Just when you think there has been justice for these people ignored by the U.S. government, you see how far the conspiracy goes. It was heartbreaking and real, which I appreciated considering how easy it is today to write a true crime story in the form of a ghost story. This book served as a brutal reminder of the treatment Indigenous Americans have endured- and still endure- at the hands of the government.

I would recommend this book to anyone interested in U.S. history, especially that of the Wild West. While it may be after the period we consider “Western”, it holds the same ideology even as the country moves into a different era.