The writing is serviceable. Somehow, Thalassa made this very relatable despite being a novel about the apocalypse. AND YET, I wanted more. I fully believe Thalassa could have made me contemplate so much about humanity with both Death and Lazarus, and yet she almost held back, depending more on tropes and less on the potential for sections of more interesting prose. Overall, still a good read.

I liked Lazarus. She was much different than Miriam, Sara, and Ana, even if only in her ability to defy death – both literally and figuratively. I liked how her voice came through differently than with the other two. Death, on the other hand, felt fascinating for the first half of the book, and then he fell into a rut where he really just seemed like another carbon-copy Horseman. I feel like there was so much potential with him, and I’m a little disappointed it wasn’t used, even if the outcome was still enjoyable.

I wish I could pull this book in two and rate each half. The first half of this book was so fascinating – and so different from the others. I wanted a bit more from this section, and would have loved to see Thalassa push this section as far as it could go. I liked the two chasing each other, slowly coming to look forward to seeing the other person. And then, when Lazarus meets Death’s brothers, it would have been much more interesting to keep Laz with them for longer, or to tease out this section in a new one. I feel like there was so much potential for more, and I felt a bit disappointed those choices weren’t followed. However, I do appreciate that this plot (at least for the first half) varied from the plots in books one, two, and three of this series. 

Death, murder, sexual content, physical abuse, emotional abuse, kidnapping, gore, blood, injury, injury detail, violence, torture, grief, body horror, alcohol, cursing, child death, illness, medical content, medical trauma, pandemic/epidemic, suicide, suicide attempt, suicidal thoughts, sexism, misogyny, vomit, pregnancy

A good end to the series. 

what a bittersweet but perfect ending to this series. i have many thoughts on this one, but let's start with the most prominent one: after the ending of famine's book, i was expecting death to be way differently than he actually was in his book. i felt like he might be the harshest, most murderous one that's connected to humanity the least and, thus, doesn't give a shit about humanity. however, in the first chapters of the book it became blatantly obvious that death is the softest of the four horseman, the one who falls for the woman (lazarus) in an instant when he sees her and needs to resist the urge to claim her from the first second on. i liked the "banter" between them and the on-off-killing situation, although it's always been clear how much death feels for her. what put me off a little was the time he "captured" her and the ongoing process of that; however, lazarus meeting the other horsemen was great and essential to the story unfolding. nonetheless, for the 500+ pages i feel like the book was a bit dragged at some points and there wasn't happening very much except laz and death trying to seduce each other and falling in love. like, don't get me wrong, I'm all here for passionate lovestories with good spice, but i was essentially bored at some points and, as the storyline of all four books was essentially somewhat the same, the ending seemed incredibly predictable to me. that's not a bad thing at all and i was prepared for it but i grew hella frustrated with death and his decisions at that. the ending was beautiful and bittersweet still, and tbh i couldn't imagine it otherwise. for me, the epilogue wasn't really needed because the real ending was, to me, perfect as it is. all in all, i did probably like this one second best of the series but it still had its weaknesses.