I really loved this story but Violet was pissing me off. And Xaden too. It spent like 2/3 the book on them fighting and they're supposed to be the main couple? Also what's the point of the Vi-Cat rivalry if it's just gonna fall on its face at the end. I honestly feel like that was added in just because it's whats "supposed" to happen in this genre and then the author was like "Ok, we did the rivalry with the ex, let's move on". Just cur the entire subplot out. It's time we could have spent exploring Jesenia and Sawyer. Or Brennan. Or Tairn, his previous rider, and the fact he died to save Brennan, who is alive, so did he succeed or did something else happen? Is Vi, who's supposed to be a genius, just not questioning that, because the fact she appeals to Malek so often and now may have proof resurrection is possible seems like it needs to be a big dealer? Also where's Brennan's dragon if riders--unless venin--die when their dragons die and he can still wield? Even Rhi's dragon is mentioned in passing so his should at least appear in the background. Especially if it's been residing in Aretia since he "died" and they just established hatching grounds there. Maybe this all gets answered next book, but, man. I just wish we cut the constant fighting (esp. when they say Xaden and Cat were the toxic ones) and jealousy and focused on these things. The "you don't trust me" line gets tired after the first 20 times. The humor also bordered on a bit cringey at times. That said, it's also badass as hell. And I really love seeing a main character with a chronic pain illness because I can relate. I also love how complex the relationships--when they're not "complex" just because they have the same argument every 5 seconds--are. Violet's relationships with her mom, Dain, Mira, Brennan, Sloane, and even Rhi do a great job of showing her and their flaws and making them all fleshed out characters. And the worldbuilding is really intriguing. I would love to see more of Poromiel befayse the nobility seemed interesting, and I wonder how a kingdom that's already fully known of and been dealing with venin functions and still remains afloat. I'd love to see more of those who stayed at Basgiath and love how they framed it as more of a "stay and defend Navarre because it's all you've ever known, or take a chance and try to defend some far-away place you've never known and until yesterday thought of as the enemy because of a threat you thought was a fable until yesterday" instead of black and white, good and bad. I also feel this 100% should've been two books because after they left Basgiath I was sitting there thinking it felt like the ending and unsure how they'd handle introducing a new setting and characters. It worked, but two books would probably work better.

The world building is quite good, but the characters are annoying and the plot is predictable. Self-insert characters are irritating nearly without exception, and the fact that Yarros has made the FMC her personal fantasy of herself and the MMC an idealised version of her husband (and does not hide this) is uncomfortable. I genuinely did enjoy the construction of the world itself, and the overall narrative, but the characters were nearly all either deeply unlikable or underdeveloped — the FMC's best friends are cardboard cut outs and

you hardly care at all when one of them dies

. The sex scenes were alright, but there aren't enough for this to really be considered smut; which is fine because the narrative is intriguing on its own, I just wish the characters were better written!

It's good for a fun summer read, kind of like the Kardashians or Love Island of the book world — switch your brain off and have some fun!

I felt like I was watching fantasy TLC the whole time. 

The author did a great job portraying symptoms of PTSD.