A very fun book full of adventure and wonder :) I love all the details about London Below and all the characters/groups that live there! Richard grew on me as the book went on, as did the Marquis - by the end I was so fond of them all. The little short story included with the author’s cut book (that I read) was also so pleasant, loved seeing more of the Marquis and his whole deal. <3

This book was really interesting - it’s my first Neil Gaiman read.  I thoroughly enjoyed Good Omens, of course - but a rather different reading experience, as it was co-authored by Terry Pratchett.  

Neil is an inarguably talented author - his prose, storytelling style, pacing, plots, character development, etc. are all fantastic.  This book was dark and gritty and real in a way that I think made it better, even if it was harder to read because of it.  

I typically don’t stray into the horror genre because I am an HSP, and my sensitivity to disturbing content makes it hard for me to look past that and enjoy the deeper meanings and content therein.  
For fellow sensitive readers, I would say …don’t read it before going to sleep.  But otherwise, if you can stomach some violence and disturbing ideas, it is a very well crafted and thought-provoking tale that has a lot to say about a lot of these that we ought to talk more about.  

While people don’t literally fall through the cracks in our world, they may as well do, frankly, for all the mind that we more fortunate folks pay to them.  The houseless, the sick, those living in poverty, hungry, etc. - our society casts so many away, wishing them to be unseen as Neil portrays them in this book.  
This book challenged me to try take the time to see people, and not look away just because I feel guilty that I have enough to eat and a warm place to sleep.  

I loved Door, the Marquis de Carabas, and Richard…so many complex characters that have a very real, flawed nature to them, which makes them leap off the page all the more.  

Neil is brilliant, this book definitely makes me look forward to continuing on with more of Neil’s works in the future.  

I went into this one with high expectations, which makes rating difficult. Though it was a fun read, it's not as polished as some of Gaiman's other work. 

The plot is a fairly basic fetch quest. I don't have a problem with simple storylines if the protagonist is compelling enough, but the problem with Neverwhere is that its protagonist, Richard, is seriously dull. I just didn't enjoy reading about him. He's a weenie. It's true that we see a bit of growth, but it's not enough to make me care about him. 

On the other hand, the setting and the side characters are the stars of the show. I found myself wanting to experience even more of London Below, since it seemed that we only got to see a tiny sliver of it. I'd also read a whole book about the side characters. Even the evil goons, Croup and Vandemar, were great. It was a very whimsical read, despite my gripes with the main character. 

I'm realizing as I'm writing this that Neverwhere would make a great video game, maybe even a better video game than a novel. Alas, it will probably never happen. 

One last thing--I struggled with how old Door was supposed to be. It's a pet peeve of mine, but I hate when authors describe a character as being a "girl" and then don't specify their age. For about half the book I was thinking that she was in her early teens at the latest, but it seems more likely given some of the events in the story that she's late teens/early twenties. Definitely got the ick when

Richard thinks about kissing her.

-.75 literally just for a couple lines during the climax that just Did Not Work for me and took me out of the atmosphere. 

This book is kind of like Paddington in that it's an unapologetic love letter to London and its landmarks and history. And there's also a lot of murder, urban decay, esoteric folklore, mild cosmic horror and rats. So yeah, just like Paddington. 

I listen through the audiobook in about a week, and nearly missed a flight because i was too engrossed in it. Dark at times, but the dreamlike world means that I could mostly leave it behind when getting back to the real world. I wish more fantasy stories ended like this one.

This felt like a pretty bog-standard hero's journey sort of book, though the action was great (I felt myself grimacing and cringing often). I wish Richard was a more compelling main character. The backdrop of a creepy London underworld was pretty cool. I've only been to London once so the references to city locations I'm familiar with were neat, though I'm sure it would have been cooler if I had been well-acquainted with the city. However, I found it hard to visualize London Below. I don't know if I missed something, but half the time it felt like they were

walking through subway systems and sewers and marshes, and other times it was described as having buildings, almost reflecting London Above?

idk maybe I'm inattentive. My only other qualm with this book is when

Richard, who seems as if he is in his mid-twenties, wants to kiss Door, who is described by Richard as appearing to be a teenager. Then they never bring this up again??? The final inconsistency that didn't bother me but caught my attention was that the Sewer People are introduced as not speaking English in Neverwhere, but in the short story prologue from this edition ("How the Marquis Got his Coat Back" or whatever), he had a full-on conversation with them.

Anyway, if you like gritty grimy creepy spooky hero stories this book may be for you.